News

June 2022: a few new works, mostly older pieces reworked with the very last drops of Lumen 26 acrylic paint. Please see Available small formats.


Completing a new series: Galatina 28/06/1961.
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Polyandrion, the new edition of a print inspired by Francesco Colonna, The Dream of Poliphilus (Venice 1499).
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A recently completed (June 2, 2022) small work: Der Reichstagssturm.
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Quadreria, an installation presented in Nîmes as part of the Ateliers ouverts du Quartier Gambetta (May 28-29 2022).
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An artist’s book,  just completed: NEMOZ.
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Return from Italy’s Tuscia region to rework the Rovine nella selva series.
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After a two-year absence, new ceramic plates with original drawings produced in Vietri sul Mare.
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Developing a new series inspired by some literary figures from the South of France: Écritures du Sud:

Ponge,

Menard,

Paulhan.

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Histoire des monstres: a recently completed series.
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Three series of “zoological illustrations” :
Birds of Lent 2022,
Predators 2021,
and Raubtiere 2020 .
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The rediscovery  of a thirty-year-old notebook: Museum, carnet 1992.

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The production of a silk screen print, based on the recent installation Millenovecento (please see the page Limited edition in this website).

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Participation at  Art Paris fair 2021 at the Grand Palais Éphémère (here the link to the Catalogue-Salvatore PUGLIA ART PARIS 2021).

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Completion of a new series on the Hopi Industrial School at Keams Canyon (Arizona, USA, 1896) for a private collection in Rome (see also my Hostile Hopi).
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Publication of an essay on my early work, “To Save the Phenomena. For Salvatore Puglia“, along with several other writings by Jacques Derrida in the collection Thinking Out of Sight, Writings on the Arts of the Visible (Chicago University Press).
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The  Millenovecento exhibition in Bordeaux, at the Galerie Troisième Oeil , March 11- May 21, 2021.

A show of the installation Millenovecento  (October 2020-January 2021), at Galerie Sit Down   in Paris.

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The publication of an article in AM. Antropologia museale 43:
Images trouvées, images adoptées.
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The culmination of a personal art project:
La Buoncostume-Salpêtrière

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A conversation with author Zoran Janic, published in two issues of the Serbian magazine Antidot, Part 1 and Part 2.
The full text is also available on my website.

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