Quadreria, a corner installation in the frame of the Ateliers ouverts Gambetta, May 28-29 2022.
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An artist’s book, just completed: NEMOZ.
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Returning to Italy’s Tuscia region to rework the Rovine nella selva series.
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After a two-year absence, return to Vietri sul Mare to produce new ceramic plates with original drawings.
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Developing a new series inspired by some literary figures from the South of France: Écritures du Sud.
Paulhan.
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Histoire des monstres: a recently completed series.
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Three series of “old book illustrations” :
Birds of Lent 2022,
Predators 2021, with its presentation: Nîmes December 2021
and Raubtiere 2020 .
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The rediscovering of a thirty-year-old notebook: Museum, carnet 1992.
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The production of a silk screen print, based on the recent installation Millenovecento (please see the page Limited edition in this website).
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Participation at Art Paris fair 2021 at the Grand Palais Éphémère (here the link to the Catalogue-Salvatore PUGLIA ART PARIS 2021).
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Completion of a new series on the Hopi Industrial School at Keams Canyon (Arizona, USA, 1896) for a private collection in Rome (see also my Hostile Hopi).
Publication of an essay on my early work, “To Save the Phenomena. For Salvatore Puglia“, along with several other writings by Jacques Derrida in the collection Thinking Out of Sight, Writings on the Arts of the Visible (Chicago University Press).
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The Millenovecento exhibition in Bordeaux, at the Galerie Troisième Oeil , March 11- May 21, 2021.
A show of the installation Millenovecento (October 2020-January 2021), at Galerie Sit Down in Paris.
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The publication of an article in AM. Antropologia museale 43:
Images trouvées, images adoptées.
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The culmination of a personal art project:
La Buoncostume-Salpêtrière
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A conversation with author Zoran Janic, published in two issues of the Serbian magazine Antidot, Part 1 and Part 2.
The full text is also available on my website.
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