Puglia montre, sous le titre d’Aschenglorie, des ensembles fortement définis, d’abord par la matière, le plomb, et par la forme du cadre, quadrangulaire ou cruciale. Une définition extérieure, qui indique l’unité de chacun: un rouge et un graphié, croix et carrés radiographiés. Mais aussi une définition interne, intestine, plus violente, un contour obtenu par détournement […]
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