[“Abstracts of Anamnesis”] The exhibition greets us with a row of anonymous faces and speaks of memory. For whom are these faces recorded? The question would press if we knew nothing of the artist, for these figures require something of us. But if we happen to know something of Salvatore Puglia’s attitudes regarding the social […]
Pages
Categories
Archives
- May 2023
- April 2023
- March 2023
- February 2023
- January 2023
- December 2022
- November 2022
- September 2022
- July 2022
- June 2022
- May 2022
- April 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- May 2020
- April 2020
- March 2020
- November 2019
- May 2019
- April 2019
- March 2019
- November 2018
- September 2018
- June 2018
- May 2018
- April 2018
- March 2018
- January 2018
- November 2017
- October 2017
- September 2017
- June 2017
- November 2016
- July 2016
- June 2016
- May 2016
- April 2016
- December 2015
- November 2015
- October 2015
- July 2015
- May 2015
- April 2015
- March 2015
- February 2015
- October 2014
- September 2014
- June 2014
- May 2014
- February 2014
- January 2014
- July 2013
- June 2013
- May 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- February 2012
- January 2012
- September 2011
- June 2011
- January 2011
- November 2010
- May 2010
- April 2010
- March 2010
- December 2009
- November 2009
- October 2009
- September 2009
- March 2008
- March 2005
- December 2004
- June 2004
- January 2003
- May 2002
- September 2001
- December 1999
- January 1999
- June 1995
- January 1993